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Cheeky Weekly ™ REBELLION PUBLISHING LTD, COPYRIGHT ©  REBELLION PUBLISHING LTD, ALL RIGHTS RESERVED was a British children's comic with cover dates spanning 22 October 1977 to 02 February 1980.

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Wednesday, 3 March 2021

Cheeky Summer Special 1979

Cheeky Weekly underwent two revamps in 1978; the first and relatively minor rejigging of the comic’s content occurred in the summer of that year, but a more substantial overhaul was implemented as of the issues dated 30 September and 07 October 1978, which saw the termination of 7 features and the introduction of the Mystery Comic section into the centre pages, along with 10 ‘new’ (one was a reprint) features. These changes happened a few weeks after the publication of the first Cheeky Annual, so the 1979 Cheeky Summer Special was the first of the non-weeklies to have the opportunity to reflect the new line-up.

Whereas 1978’s Cheeky Summer Special was first advertised in that year’s 08 July issue of Cheeky Weekly, readers were initially alerted to the existence of the 1979 Summer Special in the toothy funster’s comic dated 23 June 1979.

 

This year’s Special cover is rather reminiscent of last year’s – Cheeky is once again on the promenade with the sea in the background, although whereas on the front of last year’s Special our toothy chum was relaxed and enjoying the seaside atmosphere, this year he’s regretting his choice of headgear and fleeing from the osculatory threat posed by Louise. Spiv seems to have relocated from the Krazy Town alley where he usually plies his disreputable trade. Snail is absent, but Bubblegum Boy is drifting above the waves and possibly intending to descend upon an unsuspecting seagoing holidaymaker. Mike Lacey does a nice job of setting the holiday ambience.






Page 2 sees the commencement of a 4-page set entitled Cheeky On Holiday, a bit of a misnomer since our punster pal doesn’t actually take a vacation in this section. The artwork for this sequence is, I believe, a collaborative effort between the pencils of Frank McDiarmid and another artist doing the inking, a team that I refer to in respect of Cheeky Weekly as Frank McDiarmid pencils. I have mentioned before my theory that the inker may well be Tom Paterson, and I must say that I’m getting a huge Patersonian vibe from these pages.



At the end of this set, Cheeky can’t decide on a single holiday destination and tells us, ‘I know! I’ll try different kinds of holiday, and tell you how I like them!’

One person who’s in no doubt about where to spend his leisure time is Tub, who we meet over the page just as he’s settling into his deckchair beside the swimming pool, an act that brings him into contention with a Brylcreemed bully. Tub was among the contingent of strips constituting the Mystery Comic section which began appearing in Cheeky Weekly dated 30 September 1978. However, Tub’s strip in this Special follows immediately from Cheeky’s, so it seems there will be no attempt to emulate the comic-within-comic format. A possible reason for the lack of reference to the Mystery Comic is that its final appearance was in Cheeky Weekly dated 30 June 1979, around the time this Special went on sale. 10 pages of this Special are devoted to characters from the perplexing publication, so another possible reason for not gathering them in the centre pages of this Special is that it would be a rather thin Mystery Comic Summer Special when compared to the other contents. Also the centre page spread has been reserved for a Cheeky-related feature. Tub’s poolside plight is illustrated by his regular artist, Nigel Edwards.

 


Next is an appearance of that well known strip, ‘     ‘. It’s actually a reprint of a Copy Kate story from Knockout (the 1971 – 73 version). I’ve explored some of the ruses used by the compilers to disguise the recycled nature of various strips in the Cheeky Summer Special 1978 and Cheeky Annual 1979. Yet this missing first panel doesn’t appear to be such a ploy because there is evidence of re-sizing of panels to expand the area covered by the strip, so there wasn’t any need to fiddle with the title to eliminate gaps as was the case with other reprints in the aforementioned publications. In the original Copy Kate strips that I’ve seen, the title panel is simply text, so the removal of the first panel here is inexplicable. There’s no real summer or holiday element to this aerial tale. I think the artist is Tom Williams - there's not much evidence in the strip below of the distinctive style Tom would later develop (which we'll see later on Disaster Des), but there are more hints of Tom's hand in some Kate pages later in the special.


The balloon salesman would appear
to be a relative of Spiv.


There’s no question of the title of the feature on the next page, as the old enlarge-the-title-banner ploy has been used to resuscitate a Ringer Dinger strip from Whizzer and Chips. However, whereas an individual sub-title relating to each story was allocated to each revived Dinger episode in the 1979 Annual as a way of filling some space, no such addition has been made here. Cheeky fans are becoming familiar with the telephonic tearaway as he has featured in the first Summer Special as well as the aforementioned Annual, but not the weekly comic (that would happen later). No seasonal aspect to this story, either.

Art: Terry Bave

Flipping the page we encounter another character from IPC’s back-catalogue, and it’s one who has not previously appeared in Cheeky Weekly, last year’s Special or the first Annual. Straw-sucking Bertie Bumpkin first ambled into the pages of Jet, but was later transferred to Buster. This posed me something of a problem when recording the strip's origin in my database, since the source of any particular strip could be Jet, the amalgamated Buster and Jet, or Buster. I decided to opt for ' Jet and/or Buster', which is for a number of reasons not particularly satisfactory but will have to do until I can pinpoint the issues in which each of the strips originally featured. The yokel and his colourful country colloquialisms were possibly inspired by Rambling Syd Rumpo, the character played by Kenneth Williams in radio comedy Round the Horne, although it's only in the first of the Bertie reprints in this Special that our bucolic buddy fully embraces the agricultural vernacular. I suspect there’s been some resizing to increase the height of the panels in rows 2, 3 and 4, thus making the page sit better in the Special, but fortunately Bertie’s title panel is still present.

 

Art: Terry Bave
 

There’s no particularly summery feel to Bertie’s tale, whereas strong sunshine is a prominent feature of Gran’s adventure commencing on the next page. There’s no explanation (for the benefit of kids not familiar with Cheeky Weekly and whose parents have bought them this Special hoping it’ll keep them quiet) as to how Gran is able to perform her superhuman feats as she helps Pete and Pauline with their horticultural endeavours, nor is there any framing of this story as a TV show watched by Cheeky (other than the TV-screen title panel familiar from the regular comic) as there were in Cheeky Weekly. However, summer 1979 saw the gradual cessation of the framing devices in Cheeky Weekly, Gran’s final framed strip appearing in the comic dated 14 July. Nigel Edwards deputises for Cheeky Weekly’s regular Gran artist, Ian Knox, and provides some nice ink-shaded work for this 4-page set.

 


 

Another feature which would be included in the Mystery Comic section of Cheeky Weekly appears next, but as was the case with Tub, there’s no mention of the mysterious publication – it’s Why, Dad, Why? The protagonists are at the beach, and Dad’s request for Son to buy him a pair of trunks results in confusion when the misguided lad heads off to the luggage shop. This page-and-a-half escapade is drawn by John Geering, the regular artist on this feature in Cheeky Weekly (and/or Mystery Comic depending on your preference for accuracy). There is evidence that the Cheeky Weekly version of Why, Dad, Why? re-used old scripts originally written for the strip of the same name which appeared in Whizzer and Chips, but with new artwork, so that may be the case here. While the artwork for this strip has not been resized, it seems to me that the story could have been condensed onto a single page, so it’s possible that it is indeed based on a script originally intended for a one-page story, as I believe all the original WDW epidodes were.

Sharing the page with the concluding section of Why, Dad, Why? is a pair of puzzles – the first is a maze through which readers must guide Wipe-Out,  the canine Speed Squad (who we have yet to meet in this Special) member, in order that he can secure the bone located at the centre. The second puzzle is of the spot-the-difference variety, and readers’ powers of observation are put to the test with 2 similar beach scenes featuring Cheeky and a selection of his pals. Artie Jackson provides the artwork on these brain teasers.

Page 16 sees the first internal feature in colour as young Charlie Counter and his ever-present arithmetical advisor undergo a number of challenges at the beach. With the assistance of his silicon-chipped sidekick, Charlie sorts out a bully and saves a young swimmer in difficulties, both feats involving the excavation of large amounts of sand with his bucket-and-spade-type digging implement. Thanks to some wily calculations on the part of his chum, the consequent boost to his muscles wins young Master Counter a box of chocs. Regular Calculator Kid artist Terry Bave does the honours on this 2-page episode.

 

Is Terry portraying himself as the young Cheeky fan at the left?

 

Cheeky is back on page 18, and is about to embark on his first investigation into various holiday activities. It’s no surprise. since we witnessed similar mass decamping of Krazy Town's citizenry in last year’s Summer Special and the Cheeky Annual 1979, that a selection of his pals accompany him. This 6-page section is pure Frank McDiarmid, who opts for the marginless page design familiar from Cheeky’s strips in Krazy (unlike the earlier Cheeky on Holiday sequence which was surrounded by margins). Frank clearly likes to employ this page design when he’s drawing material for Specials or Annuals (marginless pages were never seen in Cheeky Weekly). It is a bit of a risky strategy, as occasionally some dialogue will stray too near the edge of the page and be cut o



On the second day of his investigation into various modes of holiday, Cheeky travels to a caravan site where he meets his mum, dad and of course more of his Krazy Town chums. The grinning gagster signs off on page 23, having decided, ‘This camping and caravanning isn’t bad at all!’, and tells us he’ll deliver his verdict on which type of holiday is best, ‘At the end of the book’.

Ringer Dinger is sweltering at the opening of his summery adventure overleaf. Seeking relief from the heat by dialing up an ice cream man on his phone results in the appearance of a fellow dressed in middle-eastern style, who bellows, ‘I scream man! I’m the Shriek of Araby!’, and whose yelling drives the daft events that follow.

Bertie Bumpkin then has an encounter with some peevish picknickers in his second resized adventure of this Special.

Jimmy, well-known to Cheeky Weekly readers, arrives at Mustapha Mansion to suggest a weekend of camping at the start of the next story. Mustapha prefers a caravan but, not content with a single mobile home, the friends set off in a caravan of caravans. Due to the winding country lanes on which they’re travelling, the caravans come loose and scatter across the countryside. The youngsters end up at the conclusion of this 3-pager (spoiler alert) in a tent. Barry Glennard is the artist. Barry never drew Mustapha in Cheeky Weekly, although he did provide some Star Guest artwork, an episode of Elephant on the Run and 3 Stage Schools. However, he would later become the artist on Mustapha Million after the strip transferred into Whizzer and Chips. There's no explanation of Mustapha's wealth, but the strips's title, the 'Mustapha Mansion' sign in the first panel, plus the 'wealthy Arab' stereotype which was a common one in the 1970s (fuelled, if you'll pardon the pun, by the 'energy crisis'), means any readers who have not encountered our moneyed mate before will readily understand the situation.

Readers’ brain cells are then taxed once more as Artie Jackson delivers a whole page packed with puzzles and entitled Cheeky’s Summer Tease Break – a reference to Cheeky Weekly’s occasional Tease Break which began in the 17 February 1979 issue and concluded in the comic dated 03 November the same year. Among the challenges is a ‘spot the similarities’ poser featuring 6 versions of the toothy funster’s grinning fizzog, a very similar puzzle having appeared in the 1979 Cheeky Annual.

2 pages of single panel gags then follow, featuring the dithering dunderhead familiar to readers of Cheeky’s regular comic and entitled Paddywack Around the World. Paddywack made his Cheeky Weekly debut in the 08 July 1978 edition, too late for him to be included in that year’s Summer Special. Jack Clayton, the regular artist on the character in the toothy funster’s comic, provides the artwork on this globe-trotting gag collection. In Cheeky Weekly, Paddywack was presented as a cartoon strip drawn by Doodle Doug, but this framing device was dropped as of the 07 July 1979 'new look' issue, from which point Paddywack's page continued to appear but with no reference to Doug as its artist. Paddywack's appearance on this page is also Doug-free, although the young artist will be witnessed doodling a Paddywack later in the Special.

We’ve now arrived at the centre pages, the location of a spread entitled Beauty Parade. The 1970s were indeed a very different time from our own. Interesting to see Gran and Paddywack among the Krazy Town folk, both of whom were, in Cheeky's universe, fictional (in the early days at least - both did eventually cross the boundary into Cheeky's world).


Cheeky begins sampling a health farm holiday on page 34. Unfortunately for the inmates, Auntie Daisy is the cook, eliciting an apprehensive ‘Boilk!’ from our grinning chum’s digestive system. I always enjoy seeing a Boilk! After 6 pages of health farm humour drawn by Frank McDiarmid, Cheeky departs the establishment at speed pursued, as he was on the cover, by love-struck Louise.

 

Art: Frank McDiarmid

Copy Kate, complete with title panel this time, then decides to emulate some yacht owners by appropriating one of their vessels, in this re-sized reprint. Over the page we find...Copy Kate again. This time there’s no title panel, but the adjacent artwork has been expanded to fill the space originally occupied by the title, and further resizing is evident as the strip progresses. In this run-on episode the titular mimic is determined to dig for treasure in the manner of a pirate, but is duped by a lazy lad into digging a garden, a chore imposed on him by his grandad. The strip ends with Kate being rewarded by the grandad with a trip to the funfair so I suppose that does have a summer association.

Art: Tom Williams
Interesting alternative spelling of 'Phew'

There’s definitely no summery feel on page 42 as Soggy the Sea Monster tells us in the first panel that he’s in the ‘frozen north’, and indeed he spends the entire episode beneath the ice. Despite being below the frigid H2O, our behemoth buddy manages to assist a Mountie in detaining a fleeing baddie. Adjustments to the artwork, reprinted from Shiver and Shake, are evident in the bottom row of panels.

There are no art adjustments (other than an enlarged title banner) over the page as Ringer Dinger dials up bulbs for his dad’s garden but instead gets an electrician with glass orbs of the light-emitting variety. Occupying some space at the foot of the page are the answers to the puzzles on page 29.

Appearing side by side on the next two pages are a pair of scenes depicting Gran at the beach, digging with her spade and echoing Calculator Kid’s adventure earlier in the Special. There’s also a link to an earlier Copy Kate, as one of the items unearthed (or more accurately, unsanded) is a treasure chest formerly owned by Captain Kidd. Readers are invited to spot the 12 differences in the 2 drawings showing the chaos caused to fellow beach-goers by the aged automaton’s frantic excavations. Pete and Pauline Potts are seen enjoying the sandy pandemonium, but sadly Nigel Edwards doesn’t include any of the Krazy Town crew in his suitably summery puzzle.

Tom Williams is then drafted in to illustrate an adventure of another Mystery Comic occupant, Disaster Des. Mike Lacey was the regular artist on the strip in the weekly. Tom contributed to just one issue of the toothy funster's comic, providing the art on 2 features in the Whizzer and Chips mini comic which appeared in Cheeky Weekly dated 01 July 1978. Des casts his destructive fluence over a stately home in this 2-pager which boasts ink shading. The arrival of tourists who find the now-ruined visitor attraction appealing at the story’s conclusion gives it a link to summer and holidays.

'Loburn Hall' references Woburn Abbey

 

Bertie Bumpkin then enjoys a full colour outing in a tale concerning the increasing tension as the time of the local fruit and vegetable contest approaches. A jealous neighbour destroys Bertie’s giant marrow, but the yokel is eventually awarded a hamper of fruit by the squire in this re-sized escapade.

A page of Paddywack coastal quickies then follows. This collection of single panel gags featuring the blundering buffoon is entitled Paddywack by the Sea, and benefits from colour printing.

Speed Squad, the successor strip to Skateboard Squad, had begun in Cheeky Weekly dated 26 May 1979. Skipper, Skatie and Wipe-Out begin a monochrome adventure on page 50 of this Special under the Speed Squad title, using the same title banner design as employed in the first 2 Speed Squad episodes in Cheeky Weekly. Whereas the strip’s name change in Cheeky Weekly allowed the scriptwriter more flexibility to show the terrific trio using a variety of modes of transport, in this Special story the team are seen on skateboards only, so it’s possible that it was originally intended to appear as a Skateboard, rather than Speed, Squad adventure. It’s drawn by regular Squad artist Jimmy Hansen and features a small amount of ink shading. The strip commences with the Squad on holiday in the countryside but, finding the lumpy terrain less than conducive to ‘boarding, they’re pleased to discover what they believe to be a ‘super giant-sized skateboard rink’. They enjoy speeding across the smooth surface of this apparatus, not realising that it’s actually the dish of a radio telescope, causing not a small amount of excitement followed by consternation to the scientists monitoring the signals from the space-scanning equipment. This is a rare episode where the Squad are the miscreants, not the righters-of-wrong.

Joe McCaffrey, who by this time was the regular artist on Mustapha Million in Cheeky Weekly, provides the artwork on our moneyed mate’s story which plays out across the next 2 pages and sees our wealthy but sympathetic pal mete out poetic justice to a pair of bullies who burst the balloons of some younger kids. No summer or holiday aspects to this story.

‘    ‘ then returns on page 54 – yes, it’s another Copy Kate reprint minus a title panel. Some resizing to Tom William’s art on this story is evident. The young heroine hires a punt after seeing a gent enjoying some leisure time on the water, but collides with a team of rowers. The recreational element of spending time on the water does give this strip a holiday/summer element.

I can see more of
Tom Williams' style here

Kate is back on the next page. As was the case in one of her earlier outings in this Special, the title panel has been removed but the gap has been filled by moving and adding to the original artwork. It’s another watery tale, this time set at the river and concerning Kate’s copying of a fisherman’s piscatorial pursuits. The alternate spelling of ‘phew’ is also in evidence again.

We’re nearing the end of this Special now, and on page 56 IPC put in a plug for what they describe as ‘4 Top Comics’ – Cheeky Weekly, Jackpot, Whizzer and Chips and Whoopee! Sample covers of each of the titles are shown, and in the case of the toothy funster’s comic, the 10 February 1979 edition has been selected for display. The cover shows the price of 9p, but that increased to 10p as of the 21 July 1979 issue, published a couple of weeks after this Special went on sale. The text of the ad includes the words On Sale Weekly for the benefit of any interested parties who may be unfamiliar with the frequency of comic production at the time. The equivalent ad in the 1978 Cheeky Summer Special appeared as ‘Three Great Comics’ - Jackpot was absent from the line-up back then as it was added to the roster of IPC’s humour/adventure titles with a May 1979 launch. It’s a bit of a puzzle as to why the mighty Buster doesn’t get a mention in these ads.

 

Soggy, whose previous adventure on this Special was a chilly one, is now enjoying the weather as he sunbathes on a tropical isle. This reprint definitely has summer/holiday connections. There's no evidence of re-sizing in this very appealing page by Robert Nixon, so it may have originally appeared in a Shiver and Shake Annual or Special (or possibly Shiver and Shake underwent a change in page height/width ratio during Soggy's original run, making its pages compatible with this Special).

 


A literal brain teaser occupies page 58 – entitled Great Martian Brain Maze, readers are challenged to find a path from one ear to the other via the grey (or possibly green – it’s in black and white) matter of a bulbous-craniumed inhabitant of the red planet whose head fills the page (printed sideways). Not sure who the illustrator is on this non-summer-related page, the design has something of Cliff Brown about it, but it’s not signed as Cliff would usually do.

A resized Bertie Bumpkin is practising his tuba over the page. The yokel’s less-than-harmonious efforts displease a gardener working nearby, who tips sneezing powder into the brass instrument. You can imagine the sternutatory progress of the remainder of the story. No particular summer or holiday connections with this one, either.

Jimmy Hansen is the artist for the final Cheeky sequence in this Special, and he decides to employ a more conventional, margined page design in contrast to Frank's earlier marginless contribution. Jimmy had been providing art for Cheeky Weekly since its first issue, initially on Skateboard Squad and then on Speed Squad. However, his first Cheeky’s Week art appeared in the weekly comic dated 19 May 1979, so it’s possible, given the lead time required for preparation of this Special, that this set was actually the first time Jimmy had illustrated the toothy funster and pals. Our grinning chum is trying out a holiday camp in this 4-pager, and at the end he delivers his decision as to which type of holiday is best.

The final 'Paddywack as a strip drawn by Doodle Doug' sequence
appeared in Cheeky Weekly dated 30 June 1979

 

Ringer Dinger is given the honour of bringing this Special to a conclusion, with an adventure (re-) printed in colour on the back cover. In another angling-based script, the young hero wants to measure the fish he’s just caught. Dialing ‘ruler’ conjures up a medieval monarch by the name of King Pinn who gets pushed into the river and suffers more indignities (or indingernities) before evaporating as all those summoned by Dinger’s phone inevitably do. Having decided that the earlier fishy fun in this Special had, by means of its leisure time associations, connections to summer and holidays, I am bound to allow the same leeway here.

There are 22 pages of Cheeky material in this Special (the Cheeky on Holiday strips plus the Beauty Parade centre spread), not including the cover. The 1978 Summer Special featured 26 pages of Cheeky (excluding the cover). Sadly none of the Cheeky pages in the 79 Special featured the inked shading which enhanced much of the toothy funster content in the previous year.

Copy Kate joins the reprint material this year, having first been associated with Cheeky in the 1979 Annual. Unlike Soggy and Dinger, Kate would never be featured in Cheeky Weekly. It’s a shame that, with the exception of the centre spread, all the colour pages are allocated to non-Cheeky strips. Of the 8 colour pages, only half feature new material (the cover, Calculator Kid’s 2-pager and Paddywack), with the remainder containing reprints.

Reprints account for 23% of the feature elements, compared to 33% reprint content in the 1978 Summer Special. 14 pages of last year’s Special were devoted to Malice in Wonderland, an adventure serial salvaged from Shiver and Shake. There is no adventure feature in this Special. Cheeky Weekly always included at least one dramatic strip until Mystery Boy came to a conclusion in the issue dated 13 October 1979, so the editor had probably decided by the time that work began on the 79 Special that the comic was soon to become all-humour until its February 1980 demise. Having said that, the Cheeky Annuals continued to include Bold strips until the one cover-dated 1982.

The cover price has increased from 35p last year to 40p, a hike of 14.28%. As mentioned earlier, the price of Cheeky Weekly increased from 9p (the price it was at the time of the 78 Special) to 10p in July 1979, an increase of 11%. Monthly UK inflation climbed from 9.34% in January to 17.24% by the end of the year. The 78 and 79 Specials both contained 64 pages, and both included 8 pages in colour.

Unlike the 1978 Summer Special, there are no features present in the 79 Special that had come to an end in the weekly comic prior to this Special's publication (I'm assuming a publication date of 01 June 1979 for this Special). The procedure that populates the table below selects features from the weekly which have no exact match in the Special, thus Paddywack is shown because his strips in the Special have augmented titles, and Tease Break appears for the same reason. Cover Feature refers to anything that occupies Cheeky Weekly's front page that is not a strip - e.g. the announcement of a competition or a mention of the contents. The front page of a Special I just call Cover, so that's why there's a mismatch.

Features Currently running in Cheeky Weekly but not in Cheeky Summer Special

Cheeky Weekly Feature Cheeky Weekly Dates
Cheeky Spotter Book of Town and Around19-May-79 to 09-Jun-79
Cheeky's Week30-Sep-78 to 30-Jun-79
Chit-Chat09-Dec-78 to 02-Feb-80
Cover Feature22-Oct-77 to 02-Feb-80
Elephant On The Run30-Sep-78 to 02-Feb-80
Friday22-Oct-77 to 02-Feb-80
Joke-Box Jury10-Dec-77 to 02-Feb-80
Menace of the Alpha Man03-Mar-79 to 30-Jun-79
Monday22-Oct-77 to 02-Feb-80
Mystery Boy30-Sep-78 to 13-Oct-79
Paddywack08-Jul-78 to 26-Jan-80
Saturday22-Oct-77 to 02-Feb-80
Silly Snaps02-Sep-78 to 20-Oct-79
Star Guest31-Mar-79 to 28-Jul-79
Sunday22-Oct-77 to 02-Feb-80
Tease Break17-Feb-79 to 03-Nov-79
The Burpo Special09-Dec-78 to 30-Jun-79
Thursday22-Oct-77 to 02-Feb-80
Tuesday22-Oct-77 to 02-Feb-80
Wednesday22-Oct-77 to 02-Feb-80
What's New, Kids22-Oct-77 to 17-Nov-79



Cheeky Summer Special Features Currently running in Cheeky Weekly

Cheeky Summer Special Feature Cheeky Weekly Dates
Mustapha Million22-Oct-77 to 02-Feb-80
6 Million Dollar Gran22-Oct-77 to 02-Feb-80
Speed Squad26-May-79 to 02-Feb-80
Disaster Des30-Sep-78 to 02-Feb-80
Why, Dad, Why?30-Sep-78 to 02-Feb-80
Calculator Kid01-Jul-78 to 02-Feb-80
Tub30-Sep-78 to 02-Feb-80



Cheeky Summer Special Features running later in Cheeky Weekly

Cheeky Summer Special Feature Cheeky Weekly Dates
Ringer Dinger06-Oct-79 to 02-Feb-80
Soggy the Sea Monster17-Nov-79 to 02-Feb-80



Cheeky Summer Special Features never running in Cheeky Weekly

Cheeky Summer Special Feature
Beauty Parade
Bertie Bumpkin
Cheeky on Holiday
Cheeky's Summer Tease Break
Copy Kate
Cover
Great Martian Brain Maze
Paddywack Around the World
Paddywack by the Sea
Spot the Difference
Wipe-Out Skateboard Maze

There is no attempt to frame any of the non-Cheeky strips in this Special, nor is there any reference to the Mystery Comic. However, as explained above, both these elements of Cheeky Weekly were drawing to a conclusion in the regular comic around this time. Nevertheless, despite the odd, un-titled Copy Kate pages which give the impression of a lack of care on the part of those compiling the contents, most of the Special is good fun and I'm sure it brightened the summer of 1979 for many Friends of Cheeky, and hopefully others who had not been previously aware of the large-toothed laughter-maker.


Cheeky Summer Special - published June 1979
Page Details
1Cover 'Kiss Me Quick' - Art Mike Lacey
2Cheeky on Holiday - Art Frank McDiarmid pencils
3Cheeky on Holiday - Art Frank McDiarmid pencils
4Cheeky on Holiday - Art Frank McDiarmid pencils
5Cheeky on Holiday - Art Frank McDiarmid pencils
6Tub - Art Nigel Edwards
7Copy Kate reprint from Knockout (IPC) - Art Tom Williams
8Ringer Dinger reprint from Whizzer and Chips - Art Terry Bave
9Bertie Bumpkin reprint from Jet and/or Buster - Art Terry Bave
106 Million Dollar Gran - Art Nigel Edwards
116 Million Dollar Gran - Art Nigel Edwards
126 Million Dollar Gran - Art Nigel Edwards
136 Million Dollar Gran - Art Nigel Edwards
14Why, Dad, Why? - Art John K. Geering
15Why, Dad, Why? - Art John K. Geering\Wipe-Out Skateboard Maze - Art Artie Jackson\Spot the Difference - Art Artie Jackson
16Calculator Kid - Art Terry Bave
17Calculator Kid - Art Terry Bave
18Cheeky on Holiday - Art Frank McDiarmid
19Cheeky on Holiday - Art Frank McDiarmid
20Cheeky on Holiday - Art Frank McDiarmid
21Cheeky on Holiday - Art Frank McDiarmid
22Cheeky on Holiday - Art Frank McDiarmid
23Cheeky on Holiday - Art Frank McDiarmid
24Ringer Dinger reprint from Whizzer and Chips - Art Terry Bave
25Bertie Bumpkin reprint from Jet and/or Buster - Art Terry Bave
26Mustapha Million - Art Barry Glennard
27Mustapha Million - Art Barry Glennard
28Mustapha Million - Art Barry Glennard
29Cheeky's Summer Tease Break
30Paddywack Around the World - Art Jack Clayton
31Paddywack Around the World - Art Jack Clayton
32Beauty Parade - Art Frank McDiarmid
33Beauty Parade - Art Frank McDiarmid
34Cheeky on Holiday - Art Frank McDiarmid
35Cheeky on Holiday - Art Frank McDiarmid
36Cheeky on Holiday - Art Frank McDiarmid
37Cheeky on Holiday - Art Frank McDiarmid
38Cheeky on Holiday - Art Frank McDiarmid
39Cheeky on Holiday - Art Frank McDiarmid
40Copy Kate reprint from Knockout (IPC) - Art Tom Williams
41Copy Kate reprint from Knockout (IPC) - Art Tom Williams
42Soggy the Sea Monster reprint from Shiver and Shake - Art Robert Nixon
43Ringer Dinger reprint from Whizzer and Chips - Art Terry Bave
44Spot the Difference - Art Nigel Edwards
45Spot the Difference - Art Nigel Edwards
46Disaster Des - Art Tom Williams
47Disaster Des - Art Tom Williams
48Bertie Bumpkin reprint from Jet and/or Buster - Art Terry Bave
49Paddywack by the Sea - Art Jack Clayton
50Speed Squad - Art Jimmy Hansen
51Speed Squad - Art Jimmy Hansen
52Mustapha Million - Art Joe McCaffrey
53Mustapha Million - Art Joe McCaffrey
54Copy Kate reprint from Knockout (IPC) - Art Tom Williams
55Copy Kate reprint from Knockout (IPC) - Art Tom Williams
56Ad: IPC '4 Top Comics'
57Soggy the Sea Monster reprint from Shiver and Shake - Art Robert Nixon
58Great Martian Brain Maze
59Bertie Bumpkin reprint from Jet and/or Buster - Art Terry Bave
60Cheeky on Holiday - Art Jimmy Hansen
61Cheeky on Holiday - Art Jimmy Hansen
62Cheeky on Holiday - Art Jimmy Hansen
63Cheeky on Holiday - Art Jimmy Hansen
64Ringer Dinger reprint from Whizzer and Chips - Art Terry Bave

Monday, 15 February 2021

Cheeky is 34!

No, that's not his age - he will of course remain a perennial schoolkid. However our toothy pal has attained 34th place in the top 40 favourite comic characters as voted by members of the ComicScene Community facebook group. See also downthetubes.

Tuesday, 9 February 2021

Cheeky Annual 1979

By Christmas Day 1978, Cheeky Weekly had been missing from newsagents for three weeks, a victim of the industrial unrest which afflicted the turbulent 70s. Friends of Cheeky, deprived of that year’s Christmas edition of Cheeky Weekly, were anticipating the first Cheeky Annual which most kids would have received as a Christmas present, even more keenly than they otherwise would have been. The 128-page hardcover publication was first advertised in Cheeky Weekly dated 16 September 1978, and ads appeared in a further 2 issues before publication was suspended. The year emblazoned on the cover was one ahead of the year of publication, in keeping with the tradition. Cheeky Weekly's October 1977 launch was too late for an Annual to be issued that year.

 


As was the case with the inaugural Cheeky Summer Special, the editor wisely chooses to omit the ‘Weekly’ from the Annual cover, thus avoiding a ‘Weekly Annual’ oxymoron. The bladder retention capabilities of Walter Wurx are put to the test by our toothy hero on this rather rude cover, although the significance of Cheeky taking the P will only be apparent to those familiar with the various foibles of Cheeky’s Krazy Town pals. Snail chooses a somewhat risky vantage point from which to observe the micturition-based mirth. This very cheeky cover is a nice piece of work from Frank McDiarmid.

Easing open the front cover to avoid damage to the spine, readers are invited to enter their personal details onto the traditional ‘This book belongs to’ page, which is accompanied by what I refer to as the standard Cheeky face, an illustration of our grinning chum that has been seen many times since first appearing in the Cheeky Weekly flyer a week before the launch of the toothy funster’s own title.

 

Starting across the page is a sequence entitled ‘January with Cheeky’. Drawn by Jim Petrie and printed in colour, this opening strip leads us to suspect that within the forthcoming pages we are to enjoy a full year with the grinning gagster, making this literally a Cheeky Annual. As with the first Cheeky Summer Special, the marginless page design harks back to Cheeky’s Krazy origins. During the course of this 4-page strip, Cheeky swaps gags with a selection of his chums while wandering the snowy Krazy Town streets. In the final panel Cheeky addresses the audience, ‘I hope you enjoy the stories we’ve got for you now – I’ll see you in a few pages time, in February’. So it seems this is the extent of the framing of the ensuing pages (the use of framing devices to make each issue of Cheeky Weekly into an ongoing narrative was a unique feature of the weekly comic).

 

Art: Jim Petrie

Jim Petrie’s work in Cheeky Weekly was limited to cut-out features The1978 Diary (December 1977) and The Cheeky Spotter Book of Fun (January 1978).

The colour printing continues over the page, as frenetic dog, cat and bird antics play out. Bam Splat and Blooie, reprinted from Buster, fulfilled the role of the animated cartoon enjoyed by Cheeky and pals on their weekly trip to the cinema in the regular comic, but their final appearance there was in the issue dated 17 June 1978 (although some Bamming, Splatting and a not insignificant amount of Blooie was in evidence in the first Cheeky Summer Special). This is a full-page adventure rather than the half-page stories reprinted in Cheeky Weekly, so this particular strip may have been sourced from a Buster Book rather than the weekly comic. On the following page, B,S & B’s erstwhile Cheeky Weekly cartoon-representing colleague, the gluttonous fowl Cocky Doodle (another resurrection from vintage issues of Buster or Buster Book), also enjoys a full page colour outing which concerns his visit to the zoo in search of sustenance.

 

I don't know who the artist is.
Surely Blooie should have
been blue?



Turning to page 9 it’s a little disappointing to see that the 8-page (including the cover) run of colour features has come to an end, as Mustapha Million takes to his bed with a chill in a 4-page set drawn by Joe McCaffrey. At this point in Cheeky Weekly, Joe was occasionally deputising for original Mustapha artist Reg Parlett. In this story our middle-eastern mate commands his servant to provide amusements to entertain him while indisposed, among which are a pile of comics. A copy of Whizzer and Chips is seen, partially obscuring what is probably an issue of Whoopee! lacking its exclamation mark, but surprisingly no Cheeky Weekly is on view. Unlike Mustapha’s weekly appearances at this point, there is no attempt to frame his Annual outing with the ‘search for the Mystery Comic’ device.

 

Art: Joe McCaffrey, who includes a depiction of the iconic Test Card F
with which kids throwing a sickie during the 70s were very familiar

By the end of the tale Mustapha is feeling chipper (and possibly a bit whizzy), following which Cheeky is back with the promised 4 pages of February fun, literally kicking off with his encounter with the Goalie Cat. This 4-page sequence includes a surprise appearance of Short-Sighted Dustman whose brief, 4-appearance run in Cheeky Weekly concluded in the 14 January 1978 edition. Kudos to Jim Petrie for researching the character design.

Jim again

 

Cheeky signs off for now, telling us he’ll be back later, but he doesn’t introduce Skateboard Squad (who follow over the page) as he does in his weekly comic.

Jimmy Hansen, the regular Squad artist in the weekly, does the honours on this 4-page set. The first panel would seem to tie in with the preceding Cheeky ‘February’ section, as the Squad complain of the cold as they travel (on their boards, naturally) to the school basketball match, where they take on and (spoiler alert) triumph over the visiting team of big kids.

Following this brief basketball battle, we’re back with the toothy funster who treats us to 4 pages of March mirth, before saying he’ll see us (predictably) in April.

The dusty IPC archives are again the source of the strip on page 24, as Ringer Dinger, last seen in the 1978 Cheeky Summer Special, is exhumed from the resting place of ancient comics. The employment of previously published material can be problematic if the page height/width ratio of the title in which it originally appeared differs from that in which it is to be re-used. Sometimes an artist would be tasked with re-sizing the original drawing by expanding some of the frames to better fit the page, but this often unbalanced the original artist’s design, making the alterations highly visible. It’s clear from the way Ringer Dinger is presented here, that the page sizes of Whizzer and Chips (where Dinger originated) were out of whack with the Annual. However, the strategy in this case is to leave the strip itself untouched from its original appearance, but to enlarge the Ringer Dinger title, then add a title for the story (in this case ‘Putt-ing on the Style’). This ploy works reasonably well and is certainly preferable to re-sizing.

Art: Terry Bave

 

The following page demonstrates another strategy for handling different-page-size-ratio reprints. The double-entendre-titled Biddy’s Beastly Bloomers was not, as smutty-minded readers no doubt assumed, a strip about a young lady’s unsavoury undergarments, but instead a tale concerning the owner of some frightful flowers. Biddy’s original run appeared in Shiver and Shake, as documented by Irmantas. The ‘story so far’ caption with which the Biddy strip on page 25 of this Cheeky Annual commences suggests that this is not in fact her debut from Shiver and Shake.

Unlike Ringer Dinger, whose initial appearances featured a banner-style title panel extending across the whole of the page, Biddy had a single title panel on the first row. Thus the ‘enlarge the title panel’ ruse will not work here. The preparation of this reprint has seen the title panel being excised, and a new title positioned across the top of the page, creating something that looks extremely odd. Again, we have to be grateful that no re-sizing of the artwork has been carried out, but why leave the first panel blank? An easy solution would have been to assign an individual title to each story (in the same manner as was done with Dinger) to fill the space created by removal of the original title. As it is, the page looks very slipshod and unprofessional. I’m surprised it was allowed to appear this way.

Art: Sid Burgon

 

Over the page, with no ‘Cheeky rushing home to watch the latest instalment’ intro as there would be in Cheeky Weekly, we are treated to an episode of 6 Million Dollar Gran. We know it’s a TV episode because it uses the same cathode ray tube title panel design as is seen in the regular comic. Pete Pott’s opening remark links the tale to the March that Cheeky experienced a few pages earlier. Gran’s line in that same panel serves as a subtle hint as to her robotic nature, for the benefit of kids who receive the Annual for Christmas but are not readers of the toothy funster’s comic. Gran’s creator, Professor Potts, then tells the synthetic senior citizen that she must take a trip to the north pole, after which she gives another clue as to her real origin.

Nigel Edwards is the artist for this Gran 4-pager. Nigel had by Christmas 1978 deputised on 4 occasions in Cheeky Weekly for regular artist Ian Knox. Gran’s icy escapade concludes without the Cheeky-watching-the-closing-credits-on-TV panel which is customary in his weekly comic.

 

Art: Nigel Edwards
More comics on view, but non-specific this time

 

Also lacking its usual for Cheeky Weekly introduction is a 2-page Home Movie, although that title is not applied here. Instead Oscar’s latest filmic flop is entitled Robin Hood or How Not To Make a Movie (the alternate title being another hint to those unfamiliar with the young director’s output, who would otherwise wonder what’s supposed to be going on). Jack Clayton, the regular Home Movie artist, provides the visuals, although the strip had come to an end in the weekly issue dated 10 June 1978, but had appeared in the 1978 Summer Special.

On page 32 we join Cheeky again as he progresses through April with the usual collection of corny jokes.

More Jim
April Fool's Day in 1979 was indeed a Sunday

 

Then we’re treated to a rare instance of seeing the grinning gagster as rendered by Sid Burgon, as we enter the Cartoon Gallery - a nice way of presenting a collection of single-panel gags, which could otherwise just have been a filler consisting of a random set of gags from the archives. This wasn't the first time Sid had depicted our punning pal.

 

Art: Sid Burgon

 

The next sequence is entitled Baby Burpo Strikes, as the terrifying toddler announces that he’s going to take over from Cheeky. Over the course of the 2 pages allocated to this feature, Burpo does indeed proceed to engage in gags with a selection of Krazy Town folk in the manner usually essayed by our toothy chum. This set, drawn by Jim Petrie, ends with Cheeky unaware that his role has been usurped, and Burpo promising he will taker over again later.

IPC’s overflowing filing cabinets are again the source of the feature on the next page as Soggy the Sea Monster drifts into view in an adventure first seen in the pages of Shiver and Shake. The editor can’t seem to decide on a standard method of preparing reprint strips which originally had a banner-style title. Unlike the similarly-bannered Ringer Dinger, where the reprint on page 24 was allocated a story title in order to use up some of the blank space and allow the strip to fill the width of the page, no such courtesy has been afforded poor old Soggy, whose recycled adventure is shorn of its original title, then just plonked in the middle of the page and surrounded by Letratone. Not quite as egregious as Biddy’s treatment, but could have been better.

 

Art: Robert Nixon

 

Speaking of the lad with the troublesome telephone, Dinger returns on page 41 with a chronicle of canine confusion. The reprint has been handled in the relatively sympathetic way as was his previous appearance, and the story has been given the title ‘It’s a Dog’s Life’.

We then spend time (amounting to 4 pages) with Cheeky and pals as they enjoy merriment in May. Among the folk encountering our toothy pal is the TelephonePole Man, whose final Cheeky Weekly appearance was in the 24 June 1978 issue, although he was seen again (but not by Cheeky who remains puzzled as to who calls a phone box just as he’s passing) in the 1978 Cheeky Summer Special.

Jim

 

There then follows another 4-page strip entitled The “Girls”, wherein the female contingent of Cheeky’s Krazy Town pals are to the fore. This feature is drawn by Jim Watson, who delivered some Cheeky’s Week art in the regular comic between the issues dated 11 February and 10 June 1978 (and also had an old strip of his reprinted in the 16 September 1978 edition).

 

The "Girls" - Art: Jim Watson

Jim clearly took Frank McDiarmid's renditions of Lily Pop as printed in Cheeky Weekly dated 05 November 1977 as his inspiration.

Cheeky Weekly 05 November 1977
Art: Frank McDiarmid

Page 50 sees the commencement of a feature completely unrelated to Cheeky; entitled Moon Loon, it’s a comedic tale describing how Britain landed the first man on the lunar surface a year before Neil Armstrong impressed his boot upon the regolith encrusting our orbiting neighbour. The 6 page set is illustrated by Paul Ailey.

A filler follows in the form of that old favourite (of editors, at least), the ‘spot the similarities page’. The subject of this one is Cheeky’s slithering sidekick, Snail, 12 versions of whom are on display, three of which (we are told) are identical. The images of the mirthful mollusc are based on that which accompanied the name snail competition in Cheeky Weekly dated 11 February 1978.

There’s a welcome return of colour on page 57 as Cheeky embarks on June jests and japes with the folk of Krazy Town. This 4-page sequence ends, as we have come to expect. with our grinning chum telling us he’ll see us again in July.

Mustapha Million then gets a second outing, this time in colour and concerning his attempts to revive the fortunes of a hopeless football team. Some of the methods Mustapha uses to boost the players’ fitness (setting ferocious dogs on them to make them run, dunking them in cold water if they fail to stop or score a goal) are a little at odds with the caring fellow we know from the weekly, but the team win their next match, so everyone is happy at the conclusion of the 3-page episode drawn by Joe McCaffrey.

On page 64 we witness the opening of The Robot Olympics, in which 4 mechanical athletes are vying for medals, including an R2-D2-resemblant contestant who’s not particularly sporting in his quest for victory. Things would have turned out differently if Gran had been among the competitors during the 4-page colour set illustrated by Alan Rogers, who would go on to provide more robot-based fun in the Cheeky Annuals 1984 and 85.

Art:Alan Rogers
I like the robot equivalent of the Olympic rings

 

Over the page Bam, Splat and Blooie return, and like their first appearance it’s in colour. The strip ends rather violently with Bam (dog) about to feed Splat (cat) into a mincing machine, but thankfully we’re spared a full-colour rendition of the outcome. On this occasion the tussling trio share the page (and the colour printing) with a returning Cocky Doodle, whose tale concludes with his feathers being blasted off by a shotgun-wielding farmer.

After these rather disturbing events, it’s a relief to return to the relative peace of Krazy Town and witness July’s selection of funnies with Cheeky and pals. The 4 page sequence is rendered in full colour. At the end of the set Cheeky tells us that next month he’ll be holidaying at Sludgepool-on-Sea. This is the final colour set for now.

Next up is a ‘silent’ gag under the title Tim’ll Fix It (a play, from our current perspective an unfortunate one, on the TV series Jim’ll Fix It).

 

I don't know who the artist is.

 

Following this is a feature entitled ‘The Doors are Open’ which is the catchphrase of Cheeky Weekly regular, the Commissionaire. Or at least that would be his catchphrase if the stampeding cinema audience didn’t always trample him before he could complete the announcement. Apart from the cover and This Book Belongs To, this is the first work by Frank McDiarmid to be seen in the Annual. It’s likely, in view of what seems to be some altered text in the opening speech balloon, the reference to Cheeky Weekly, the lack of margins and the gap at the bottom of the page, that this feature was originally intended to appear in Krazy as a Cheeky’s Pal strip, in which the unfortunate cinema worker never appeared. Burpo introduces the subject of the strip for the benefit of those unfamiliar with the toothy funster’s weekly comic, who would have been Krazy readers if the strip was published as I suspect was originally intended - Commissionaire was linked to Cheeky's weekly trip to the cinema in his own comic, an event which never featured in Krazy. The Cheeky's Pal strips eventually evolved into The Burpo Special which commenced in Cheeky Weekly dated 09 December 1978. The reference by Burpo, by means of some altered text, to a Burpo Special in this Annual therefore prefigured the strip's appearance in the Weekly.

Commissionaire made his final Cheeky Weekly appearance in his role of doorman in the issue dated 02 December 1978, although he was the subject of the Pin-Up Pal poster in the 17 March 1979 edition.

Art: Frank McDiarmid

 

Over the page is another encounter with the telephonic tearaway, Ringer Dinger. The inevitable confusion ensues when, keen to assist with his dad’s podiatry problem, the young lad dials ‘corn’, and a scythe-wielding bumpkin appears. This tale, which is adjusted in the same way as previously in the Annual, is allocated the title, ‘A Slice of Bad Luck’.

Another Letratone-bound Soggy the Sea Monster reprint follows, which begins with the lovable leviathan complaining that the sea is cold, which could put the story somewhat at odds with the July/August weather that Krazy Town is experiencing at this point in the Annual, except that there is no indication in Soggy’s story of whereabouts in the world the watery events are unfolding.

We’re subjected to a multitude of molars on page 77, as 6 Cheeky ‘standard faces’ grin out at us, rather disconcertingly having been flipped sideways. Yes, it’s another ‘spot the similarities’ filler entitled Double Trouble, from which you’ll have guessed that only two of the teeth-packed fizzogs are identical (answer on page 110).

As promised, over the page our gagster chum commences his August seaside holiday (it’s a pity this sequence couldn’t have been set in July which would have allowed it to benefit from colour printing). It seems the folk of Krazy Town all share the same holiday destination each year; just as Cheeky’s pals descended on Cockleshell-on-Sea in the 1978 Cheeky Summer Special, they are present en masse in Sludgepool-on-Sea in this Annual (we know from the earlier April with Cheeky set that this Annual depicts events occurring in 1979). Having said that, Lily Pop is not in evidence in this 4-page feature.

Krazy Town’s belligerent baby is back on page 82 in a 2-pager entitled Baby Burpo Strikes Again, making good on his promise earlier in the Annual and once again taking on Cheeky’s role as gagster-in-chief (in the process managing to get a can past Goalie Cat – a considerable achievement).

Without the usual preamble that would precede it in Cheeky Weekly, a Creepy Sleepy Tale then unfolds over the next 4 pages. Drawn by Keith Reynolds, who was the artist for the majority of the CSTs to appear in the regular comic, the story relates how schoolboy Spike Miggiligoon blows himself up in a chemistry lesson, and afterwards in spectral form torments those around him. There is a scene in a theatrical agent’s office where, among the photos of his showbiz clients, we see a familiar toothy grin.

 

Art: Keith Reynolds

 

The now-deracinated Bloomers are next up, and the fearsome flowers crash a wedding reception in search of grub. This reprint is presented with a missing title panel as was Biddy's earlier escapade.

The leaves are falling as Cheeky embarks on his 4-page round of September silliness.

Wipe-Out’s skateboard skills bring him to the attention of a pair of ne’er-do-wells who kidnap the canine wonder and force him to work in a circus in the Skateboard Squad story which follows. Despite being adjacent to Cheeky’s September sequence, there is no introduction to the strip by Cheeky, which there would be in the weekly comic. Unlike the previous Squad strip in this Annual, this time their adventure is drawn by Paul Ailey. Needless to say, by the end of this 4-page tale, the terrific trio are reunited.

Now it’s October in Krazy Town and the inevitable 4 pages of fun with the toothy funster follow.

Gran turns crime-buster in the next set, as she hunts down a gang of crooks. As with her earlier adventure in this Annual, there is no Cheeky-watching-TV introduction on the preceding page. However, unlike Gran’s previous ‘79 Annual outing, which featured the same title panel as used in Cheeky Weekly, this strip carries a banner title and the name name 6,000,000$ Gran (someone seeming not to be aware of the convention of placing the currency symbol before the numerals). The title presents me with something of a quandary - should I record this anomalous entry in the Gran canon with its title as shown and thus risk failing to find it when running queries against my database? I decide to record it as 6 Million Dollar Gran. The synthetic senior citizen would of course later be known as $6,000.000 Gran at the commencement of her Whoopee! career. Nigel Edwards supplies the art again.

 

Art: Nigel Edwards

There’s a change to the presentation of the next Biddy’s Beastly Bloomers reprint – someone has realised that filling the space where the original title panel resided would be a good idea, and the page certainly looks much better this way.

 

Art: Sid Burgon

 

Following the herbaceous horrors, we’re back on the streets of Krazy Town to enjoy 4 pages of the toothy funster’s finest November witticisms.

The hapless handyman then returns to fix a broken curtain pole in the second and final Tim’ll Fix It on page 110.

James Bold, fearless investigator of the uncanny, had been one of the adventure strips in Cheeky Weekly, where his eerie adventures were framed within our grinning pal’s universe by being presented as a series of books which were read by the jersey-sporting japester or, in the case of Bold’s final investigation, a film series presented as part of the Saturday morning pictures sequence. Bold’s Cheeky Weekly run had concluded in the issue dated 05 August 1978, but the editor clearly felt that Annual readers would appreciate a helping of horror, so the sleuth of the supernatural is pitted against The Phantom in the bumper 10-page tale which follows. The story relates the terrifying plight of young Mike Foster…

I don't know who the artist is


Luckily for the youthful kidnap victim, James Bold is a friend of his dad’s, so the implacable investigator soon arrives at the island, along with his assistant Angel O’Mercy, in search of the youngster. The tale is very similar to the majority of those in Cheeky Weekly as it turns out that (spoiler alert) the ‘supernatural’ events are all faked. There is evidence that some of the Bold stories which were published in Cheeky’s comic were based on scripts originally written as Maxwell Hawke adventures that appeared in Buster, but I don’t know if that’s the case here. Regardless of the origin of the script, it’s pleasing that the editor, who could have resorted to a reprint to fulfil the requirement for an adventure story (as was the case with the 1978 Cheeky Summer Special), instead chose to include a feature prepared specifically for this Annual.

After the monochrome gloom of Castle Zarnoff it’s a relief to turn to the next page and witness a resumption of full colour as Cocky Doodle mistakes the artificial fruit on a lady’s hat for some real grub. Sharing the page with the ravenous rooster are Bam, Splat (seemingly fully recovered from his earlier mincer incident) and Blooie.

The search for a Christmas tree is occupying young Dinger over the page (very appropriate as we approach Cheeky’s December doings), in a story reprinted in colour and with a retrofitted title of ‘A Christmas Tree-t’. Then Soggy also benefits from colour for his third and final page in this Annual, and the preparation of this adventure for reprinting is more pleasing than the earlier two, as the strip occupies more of the page. Unlike Dinger, our behemoth buddy is not enjoying a Christmas-related escapade. Irmantas tells us that the final Soggy strip of his original run in Shiver and Shake was in the issue dated 16 February 1974. The Sogster squelched into the very first issue of S&S, dated 10 March 1973, so there was one opportunity, in December 1973, to involve our seaborne chum in a festive adventure. However, that opportunity was not taken as, in the Christmas S&S of that year, dated 29 December, there was no seasonal element in Soggy’s story. Therefore the Cheeky Annual editor was unable to source a festive Soggy tale from the cobweb-draped IPC archives.

 

Art: Robert Nixon

Seasonal concerns are very much on the mind of Cheeky, who we then join in December on page 124. This 4 pager is in colour and sees the culmination of a joke that has been running (or hopping) through the monthly Cheeky strips, wherein Baby Burpo was seen travelling on a pogo stick (a present he received for Christmas the previous year), terrorising Cheeky and pals. In December, fatigued after a year of use, the stick breaks but the kind folk of Krazy Town have a collection to raise the cash for a new springy conveyance, bringing the Annual to a suitably heart-warming conclusion.

 

Jim

 

Jim signs off

 

The back cover is a duplicate of the front.

This is a very nice first outing for Cheeky in Annual form. The monthly nature of the main Cheeky sequences mirrors the weekly format of his regular comic and is very apt for a once-a-year publication. It’s a pity that Frank McDiarmid wasn’t able to contribute more, but he was providing considerable amounts of work to Cheeky Weekly so was clearly unable to spare the time. Jim Petrie does a great job on the Cheeky pages in this Annual. Jim did deliver some Cheeky artwork in the weekly (the Diary and Spotter Book of Fun), but he never drew any Cheeky’s Week elements. However he handles Cheeky’s Year in fine style, capturing the zany feel that we associate with Frank’s version of Krazy Town. I think that, of all the artists who drew Cheeky and chums, Jim’s is the closest to Frank’s vision. It must have been very daunting for Jim when he undertook this project, as he would have had to research the character designs of the many funny folk who our toothy pal encountered over 12 months and 48 pages, plus a further 4 pages of Baby Burpo.

One aspect of the weekly comic that’s not reflected in the Annual are the framing devices. Whereas there was some attempt at framing in the 1978 Cheeky Summer Special, no such effort was made here.

There are a total of 130 elements in this Annual (128 pages, but 2 pages each consisting of 2 strips). 16 of those elements are reprints, making a total reprint percentage of 12.31. That’s an improvement on the Cheeky Summer Special 1978’s 33% reprinted content. However, Cheeky Annual 1979 cost £1.10 (or 1.10£ if you’re the person who designed the title for Gran’s story on page 101) for 128 pages = .0085p per page, whereas the regular comic dated 25 November 1978 cost 9p for 32 pages = .0028p per page, so readers (or more likely their parents) were paying a considerable premium to spend a year with their wisecracking chum, although to be fair there are no adverts in the Annual, it has board covers, more substantial paper than the weekly and 32 colour pages.

Overall, though this is a nice package, and I'm sure it was well received by Friends of Cheeky. As mentioned earlier, Annuals were traditionally given as Christmas presents, and generous Aunts, Uncles and other relatives would descend on newsagents to select Annuals for their youngsters in the family although in many cases without knowledge of which weekly comics the recipients favoured. Annuals were thus something of a showcase for the weeklies they represented, and if kids unfamiliar with the title liked an Annual, they may have been persuaded to start reading the regular comic on which it was based. It's therefore a little surprising that IPC didn't include some sort of ad for Cheeky Weekly. However, most kids who regularly haunted their local newsagent would have known the names of all the comics spread enticingly across the counter.

Which features in the Annual had concluded in Cheeky Weekly by the time of the Annual’s publication? I’m assuming the Annual was published on 01 September 1978 for the purposes of the following comparisons with the weekly comic.


Cheeky Annual 1979 Features ending earlier in Cheeky Weekly

Cheeky Annual 1979 Feature Cheeky Weekly Dates
Home Movie22-Oct-77 to 10-Jun-78
Creepy Sleepy Tale22-Oct-77 to 26-Aug-78
Bam Splat and Blooie29-Oct-77 to 17-Jun-78
Cocky Doodle29-Oct-77 to 04-Mar-78
James Bold22-Oct-77 to 05-Aug-78

 ...there had been a minor revision of the weekly's contents in June/July 1978.

 

Which Annual features were currently running?

Cheeky Annual 1979 Features Currently running in Cheeky Weekly

Cheeky Annual 1979 Feature Cheeky Weekly Dates
6 Million Dollar Gran22-Oct-77 to 02-Feb-80
Mustapha Million22-Oct-77 to 02-Feb-80
Skateboard Squad22-Oct-77 to 12-May-79

Which features were current in Cheeky Weekly but not included in the Annual?

Features Currently running in Cheeky Weekly but not in Cheeky Annual 1979

Cheeky Weekly Feature Cheeky Weekly Dates
Archie's Angels12-Aug-78 to 16-Sep-78
Calculator Kid01-Jul-78 to 02-Feb-80
Cover Feature22-Oct-77 to 02-Feb-80
Easter Monday01-Apr-78 to 21-Apr-79
Friday22-Oct-77 to 02-Feb-80
Interval22-Oct-77 to 02-Dec-78
Joke-Box Jury10-Dec-77 to 02-Feb-80
Monday22-Oct-77 to 02-Feb-80
Paddywack08-Jul-78 to 26-Jan-80
Pin-up pal22-Oct-77 to 31-Mar-79
Saturday22-Oct-77 to 02-Feb-80
Sunday22-Oct-77 to 02-Feb-80
Sunday evening22-Oct-77 to 23-Sep-78
Teacher's Teasers26-Aug-78 to 23-Sep-78
Thursday22-Oct-77 to 02-Feb-80
Tuesday22-Oct-77 to 02-Feb-80
Tweety and Sylvester21-Jan-78 to 02-Dec-78
Wednesday22-Oct-77 to 02-Feb-80
What a Cheek22-Oct-77 to 23-Sep-78
What's New, Kids22-Oct-77 to 17-Nov-79
Who's Afraid of the Big Bad Wolf?24-Jun-78 to 30-Sep-78

...Calculator Kid and Paddywack, both of whom would go on to become stalwarts of the toothy funster's comic, were introduced into the weekly in early July '78 which was, because of the lead time required for preparation of Annuals, too late to be considered for inclusion into this Annual.

Which Annual features would run later in the regular comic? 

Cheeky Annual 1979 Features running later in Cheeky Weekly

Cheeky Annual 1979 Feature Cheeky Weekly Dates
Ringer Dinger06-Oct-79 to 02-Feb-80
Soggy the Sea Monster17-Nov-79 to 02-Feb-80

 

Which Annual features never appeared in Cheeky Weekly?

Cheeky Annual 1979 Features never running in Cheeky Weekly

Cheeky Annual 1979 Feature
All Snails Are Alike?
April with Cheeky
August with Cheeky
Baby Burpo Strikes
Baby Burpo Strikes Again
Back Cover
Biddy's Beastly Bloomers
Cartoon Gallery
Cover
December with Cheeky
Double Trouble
February with Cheeky
January with Cheeky
July with Cheeky
June with Cheeky
March with Cheeky
May with Cheeky
Moon Loon
November with Cheeky
October with Cheeky
September with Cheeky
The "Girls"
The Doors Are Open
The Robot Olympics
This Book Belongs To
Tim'll Fix It

I'm grateful to the scanner of the Annual pages shown here - I didn't want to damage my own copy by scanning it.

Cheeky Annual 1979 Reprint Feature Elements by %

Total Feature Elements Original Feature Elements Reprint Feature Elements Reprint %
1301141612.31
 
 
 

Cheeky Annual 1979 - published September 1978
Page Details
1Cover 'Ha-P-py Xmas' - Art Frank McDiarmid
2This Book Belongs To - Art Frank McDiarmid
3January with Cheeky - Art Jim Petrie
4January with Cheeky - Art Jim Petrie
5January with Cheeky - Art Jim Petrie
6January with Cheeky - Art Jim Petrie
7Bam Splat and Blooie reprint from Buster
8Cocky Doodle reprint from Buster
9Mustapha Million - Art Joe McCaffrey
10Mustapha Million - Art Joe McCaffrey
11Mustapha Million - Art Joe McCaffrey
12February with Cheeky - Art Jim Petrie
13February with Cheeky - Art Jim Petrie
14February with Cheeky - Art Jim Petrie
15February with Cheeky - Art Jim Petrie
16Skateboard Squad - Art Jimmy Hansen
17Skateboard Squad - Art Jimmy Hansen
18Skateboard Squad - Art Jimmy Hansen
19Skateboard Squad - Art Jimmy Hansen
20March with Cheeky - Art Jim Petrie
21March with Cheeky - Art Jim Petrie
22March with Cheeky - Art Jim Petrie
23March with Cheeky - Art Jim Petrie
24Ringer Dinger reprint from Whizzer and Chips 'Putt-ing on the Style' - Art Terry Bave
25Biddy's Beastly Bloomers reprint from Shiver and Shake - Art Sid Burgon
266 Million Dollar Gran - Art Nigel Edwards
276 Million Dollar Gran - Art Nigel Edwards
286 Million Dollar Gran - Art Nigel Edwards
296 Million Dollar Gran - Art Nigel Edwards
30Home Movie 'Robin Hood' - Art Jack Clayton
31Home Movie 'Robin Hood' - Art Jack Clayton
32April with Cheeky - Art Jim Petrie
33April with Cheeky - Art Jim Petrie
34April with Cheeky - Art Jim Petrie
35April with Cheeky - Art Jim Petrie
36Cartoon Gallery - Art Sid Burgon
37Cartoon Gallery - Art Sid Burgon
38Baby Burpo Strikes - Art Jim Petrie
39Baby Burpo Strikes - Art Jim Petrie
40Soggy the Sea Monster reprint from Shiver and Shake - Art Robert Nixon
41Ringer Dinger reprint from Whizzer and Chips 'It's A Dog's Life' - Art Terry Bave
42May with Cheeky - Art Jim Petrie
43May with Cheeky - Art Jim Petrie
44May with Cheeky - Art Jim Petrie
45May with Cheeky - Art Jim Petrie
46The "Girls" - Art Jim Watson
47The "Girls" - Art Jim Watson
48The "Girls" - Art Jim Watson
49The "Girls" - Art Jim Watson
50Moon Loon - Art Paul Ailey
51Moon Loon - Art Paul Ailey
52Moon Loon - Art Paul Ailey
53Moon Loon - Art Paul Ailey
54Moon Loon - Art Paul Ailey
55Moon Loon - Art Paul Ailey
56All Snails Are Alike?
57June with Cheeky - Art Jim Petrie
58June with Cheeky - Art Jim Petrie
59June with Cheeky - Art Jim Petrie
60June with Cheeky - Art Jim Petrie
61Mustapha Million - Art Joe McCaffrey
62Mustapha Million - Art Joe McCaffrey
63Mustapha Million - Art Joe McCaffrey
64The Robot Olympics - Art Alan Rogers
65The Robot Olympics - Art Alan Rogers
66The Robot Olympics - Art Alan Rogers
67The Robot Olympics - Art Alan Rogers
68Bam Splat and Blooie reprint from Buster\Cocky Doodle reprint from Buster
69July with Cheeky - Art Jim Petrie
70July with Cheeky - Art Jim Petrie
71July with Cheeky - Art Jim Petrie
72July with Cheeky - Art Jim Petrie
73Tim'll Fix It
74The Doors Are Open - Art Frank McDiarmid
75Ringer Dinger reprint from Whizzer and Chips 'A Slice Of Bad Luck' - Art Terry Bave
76Soggy the Sea Monster reprint from Shiver and Shake - Art Robert Nixon
77Double Trouble - Art Frank McDiarmid
78August with Cheeky - Art Jim Petrie
79August with Cheeky - Art Jim Petrie
80August with Cheeky - Art Jim Petrie
81August with Cheeky - Art Jim Petrie
82Baby Burpo Strikes Again - Art Jim Petrie
83Baby Burpo Strikes Again - Art Jim Petrie
84Creepy Sleepy Tale - Art Keith Reynolds
85Creepy Sleepy Tale - Art Keith Reynolds
86Creepy Sleepy Tale - Art Keith Reynolds
87Creepy Sleepy Tale - Art Keith Reynolds
88Biddy's Beastly Bloomers reprint from Shiver and Shake - Art Sid Burgon
89September with Cheeky - Art Jim Petrie
90September with Cheeky - Art Jim Petrie
91September with Cheeky - Art Jim Petrie
92September with Cheeky - Art Jim Petrie
93Skateboard Squad - Art Paul Ailey
94Skateboard Squad - Art Paul Ailey
95Skateboard Squad - Art Paul Ailey
96Skateboard Squad - Art Paul Ailey
97October with Cheeky - Art Jim Petrie
98October with Cheeky - Art Jim Petrie
99October with Cheeky - Art Jim Petrie
100October with Cheeky - Art Jim Petrie
1016 Million Dollar Gran - Art Nigel Edwards
1026 Million Dollar Gran - Art Nigel Edwards
1036 Million Dollar Gran - Art Nigel Edwards
1046 Million Dollar Gran - Art Nigel Edwards
105Biddy's Beastly Bloomers reprint from Shiver and Shake - Art Sid Burgon
106November with Cheeky - Art Jim Petrie
107November with Cheeky - Art Jim Petrie
108November with Cheeky - Art Jim Petrie
109November with Cheeky - Art Jim Petrie
110Tim'll Fix It
111James Bold 'vs The Phantom'
112James Bold 'vs The Phantom'
113James Bold 'vs The Phantom'
114James Bold 'vs The Phantom'
115James Bold 'vs The Phantom'
116James Bold 'vs The Phantom'
117James Bold 'vs The Phantom'
118James Bold 'vs The Phantom'
119James Bold 'vs The Phantom'
120James Bold 'vs The Phantom'
121Cocky Doodle reprint from Buster\Bam Splat and Blooie reprint from Buster
122Ringer Dinger reprint from Whizzer and Chips 'A Christmas Tree-t' - Art Terry Bave
123Soggy the Sea Monster reprint from Shiver and Shake - Art Robert Nixon
124December with Cheeky - Art Jim Petrie
125December with Cheeky - Art Jim Petrie
126December with Cheeky - Art Jim Petrie
127December with Cheeky - Art Jim Petrie
128Back Cover 'Ha-P-py Xmas' - Art Frank McDiarmid