tremendous
Extremely
large in amount, extent, or degree; enormous
Marvelous;
wonderful
Capable
of making one tremble; terrible
 |
| Art: Frank McDiarmid |
As this is the final Cheeky Weekly, I’m going to focus on the final
panels of all this week’s non-Cheeky strips.
First up, Why, Dad, Why? concludes with Dad in detention. This
feature, which used scripts originally written for Whizzer and Chips,
but with new artwork, will not be among the Cheeky Weekly strips
transferring into Whoopee!, although the inter-generational
antagonism will resurface in the 1980 Cheeky Holiday Special and Annuals dated 1981 and 1982.
 |
| Art: John Geering |
Disaster Des has two adventures this week, the second following directly from the first on consecutive pages. Possibly the Cheeky
Weekly editor had commissioned one strip too many but, not wishing to
waste his moolah since Des would not be transferring into Whoopee!,
crammed both into the final issue. The second story ends with the
juvenile jinx in fancy dress as a Victorian chimney sweep at the
Mayor’s costume ball, while the assembly rooms disintegrate around
the civic dignitary. Des would return in the Cheeky Specials dated
1980, ‘81 and ‘82, and also all the remaining Annuals,
cover-dated from 1981 to 1985
 |
| Art: Mike Lacey |
The Stage School kids hasten, with a 'Titter' and 'Chortle', to their
showbiz class having avoided a threatened whacking. This is not the
last we’ll see of the young entertainers as they’ll survive the
upcoming merge and will also give performances in the 1980 and ‘81
Cheeky Specials and Annuals dated ‘81 to ‘85.
 |
| Art: Barry Glennard |
An offensive stereotype appears in this week's Ringer Dinger story. In the late 70s this kind of portrayal was regularly encountered in the media. Fortunately the shocking image is absent from the final panel which I'm able to present here. The Ringer Dinger reprints from Whizzer
and Chips will not carry over into Whoopee!, although the teeny
telephone tearaway will dial-in appearances in the Cheeky Specials
dated 1980 and 1981 and the Annuals dated ‘81 and ‘82.
 |
| Art: Terry Bave |
Snail of the Century is displaced from its usual back-cover location, but
retains its regular Snail-wryly-observing-goings-on-in-the-Cheeky-household
conclusion. An untitled, cut-down version of Snail of the Century will transfer into Whoopee!
and some months after that comes to an end the mirthful mollusc will be lucky enough to secure another strip all to himself. Cheeky’s slithering sidekick will of course continue to
accompany his toothy mate in the Cheeky strips in their new home.
However fans of SotC will be able to enjoy Snail on the Beach (a
holiday version of the strip) in the 1980 Holiday Special, followed
by A Snail’s Tale and Snail Abroad in the 1981 and 1982 Summer
Specials respectively. The 1981 Annual will feature a Snail of the
Century, while those dated 1982 and ‘83 will each include
Smile-along-a-Snail (SotCs in all but name), and Snail Down Under
(another SotC variant) will appear in the Annual for 1985.
 |
| Frank again |
Elephant secures employment as a butler this week and ends the
Elephant on the Run strip having yet again seen off The Man in the
Plastic Mac. At the end of the final episode we’re none the
wiser as to why our elephant pal is being pursued, and since the
peripatetic pachyderm will not survive the imminent merge, we remain
puzzled to this day - the one further strip that appeared in the 1980
Cheeky Holiday Special provided no further enlightenment.
 |
| Art: Robert Nixon |
This week’s footwear-focused Calculator Kid tale ends with Charlie
having received a free pair of trainers thanks to the silicon-chip stratagems of his number-crunching
pal. Charlie and Calc will be among the Cheeky Weekly survivors
continuing in Whoopee!, and fans of the pair will be able to enjoy
more of their adventures in the Cheeky Specials from 1980 to 1982,
and in each of the Annuals from 1981 to 1985.
 |
| Art: Terry Bave |
Soggy the Sea Monster who, like Charlie and Calc is benefiting from the colour printing available on the centre pages, doesn’t actually appear in the final panel of
his tale, in which the lovable leviathan teaches a lesson to a
pair of inconsiderate water sport enthusiasts. Soggy, whose Cheeky
Weekly run consisted of reprints from Shiver and Shake, will not
continue into Whoopee!, but will make a bumper 5 aquatic forays into
the 1980 Holiday Special and enjoy a single adventure in 1982’s
Summer Special, plus appearances in the Annuals from ‘81 to ‘83.
 |
| Art: Robert Nixon |
The Gang (a retitled reprint of the Double Deckers from Whizzer and Chips)
subject us to a tedious tale involving a paper chase (another of
those things that only ever occur in comics, never in real life).
Fortunately, this underwhelming feature will fail to make it into
Whoopee!, although it will return to haunt the Cheeky 1980 Holiday
Special and the 1981 Annual. The strip that brought the original
Double Decker run to a conclusion had actually been reprinted in
Cheeky Weekly dated 28 July 1979 – see Raven’s comment here.
 |
| Art: Robert MacGillivray |
Tub is rewarded for his inadvertent cat rescue, something which
pleases his usually-irascible dad. Our portly pal will not lend his
weight to the band of Cheeky Weekly folk making the transition to
their new home, but will return in 1981’s Summer Special and
Annuals from 1981 to 1984. The corpulent cove will also make a
surprise appearance in the 1983 Shiver and Shake Annual. How did that
happen?
 |
| Art: Nigel Edwards |
Mustapha Million challenges a bully to a fight, but by offering his
opponent access to the considerable range of gym equipment and
fitness facilities available in Mustapha Mansion, at the time of the contest the bully is
exhausted. Thus wily Mustapha wins by knocking his opponent down with
a feather (not a wet fish as the illustration below might suggest). Mustapha will transfer into Whoopee! and will in fact
become the longest-surviving Cheeky Weekly character, withstanding
several merges and appearing regularly (although for a period in
reprints) until the final issue of Whizzer and Chips in 1990 - somewhat longer than the single year his father originally intended him to spend in the UK. Our
middle-eastern mate will also appear in the Cheeky Specials from 1980
to ‘82 and Annuals from ‘81 to ‘85.
 |
| Art: Joe McCaffrey |
Cheeky Weekly’s next-longest-lived character, sharing the
seven-figure titular reference with Mustapha, is 6 Million Dollar Gran,
although the synthetic senior citizen underwent three rebrandings during her post-Cheeky Weekly career, ending up as the leader of a
group of old age pensioners in a strip tiltled Gran’s Gang, a feature that survived until the final issue of Whoopee (which by then had
been shorn of its exclamation mark) dated 30 March 1985. In her final
Cheeky Weekly outing, Gran overcomes multiple difficulties while
attempting to feed the local ducks. The aged automaton will have
further adventures in the Cheeky Specials of 1980 and 1981 (in the
1981 Special her strip will be titled $6000,000 Gran to match the
change in title that came into effect when she transferred to
Whoopee!), and the Annuals from ‘81 to ‘85 (strips titled 6
Million Dollar Gran, $6000,000 Gran, Gran, Granny and Granny
respectively; In Whoopee! Her strip was retitled Robot Granny in May
1981, and Gran’s Gang in July 1983).
 | |
| Art: Nigel Edwards Gag references professional cockney geezer Arfur Mullard |
Speed Squad set up their own rally course but a driver mistakes it for the real thing and the plucky trio avert a disaster by guiding him out. Our high-velocity chums won’t survive the merge, but will enjoy accelerated adventures in the Cheeky Specials of 1980 and ‘81, and the Annuals from 1981 to ‘84.
 |
| Art: Jimmy Hansen |
Cheeky drops the bombshell on the Chit-Chat page...
...The Cheeky's Chit-Chat feature will not be forgotten next week as the Whoopee! letters page will become known as Whoopee Chit-Chat, although letters will in future be addressed to 'the editor' rather than the toothy funster. The writers of letters printed in Whoopee! and Cheeky will continue to receive the same £2.00 award as did correspondents to Cheeky Weekly's letters page, but they will not receive the additional reward of a Cheeky badge (the Cheeky office obviously had a few boxes of Cheeky badges cluttering up the place at the end of the comic's run, as readers of the first issue of the combined title will be invited to write in to claim a free badge, 2000 of which will be up for grabs in return for an SAE). However, readers having a letter printed in Whoopee! and Cheeky will, in addition to their cash award, receive a Whoopee! whoopee cushion.
The lucky band of characters who have been selected for
transfer to Whoopee! are revealed on Saturday (except Paddywack who
is absent from this final issue but will return in the merged comic).
 |
| More Frank |
Well, it's sad of course that our favourite comic has come to an end, but wasn't it a great run? In terms of the number of issues, it's nowhere near the venerable Buster or Beano, yet Cheeky Weekly's 117 editions is more than some comics were able to manage before expiring. But what counts, as we know, is quality, not quantity, and quality was in evidence throughout Cheeky Weekly's run. Frank McDiarmid stamped his personality on the Cheeky pages, and his wild, zany artwork and comments scattered around the sets just made the pages zing with irrepressible humour. The scripts by Willie (Gordon) Cook were imaginative, and the vast array of appealing, eccentric characters strolling the streets of Krazy Town elevated what could have been merely a succession of corny gags into a highly enjoyable romp through an often surreal version of late 70s Britain.
As we know, Cheeky Weekly emerged from Krazy, and inherited its progenitor title's iconoclastic approach to British humour comics. On its debut Cheeky Weekly had 2 main characteristics that set it apart from its predecessors; it was based around a single character who featured in multiple strips each week, and all the non-Cheeky strips were 'framed' by those containing the toothy funster and his pals. The extra care that had to be taken with the planning and placement of the features and their introductory sequences within the Cheeky strips made it evident that this comic was intended as something rather different from the grab-bag of unrelated comic pages of the typical humour/adventure titles of the time, and no doubt we have to thank IPC's group editor Bob Paynter for making all this possible. Sadly over time the framing devices were dropped, as were the adventure strips, but in its heyday there was no title to touch Cheeky Weekly.
And as well as the framing devices, further trouble was taken to give us several special issues, such as the Skateboard, Disco and (one of my favourites) the 60-years-into-the-future editions. Then the metafictional Mystery Comic was introduced to make things even more interesting.
The toothy funster's title is mostly remembered today for its Cheeky content, and rightly so, but let's not forget that among the pages of our grinning pal's weekly gagfests were some cracking strips;
 |
| Art: Reg Parlett |
As mentioned in relation to Ringer Dinger above, derogatory stereotypes presented as 'entertainment' were sadly common in British society in the Cheeky years, to the extent that it wasn't uncommon for them to appear in children's comics. However, what was to become the comic's longest-survived creation was quite the reverse - a visitor who was generous, kind and eager to learn about and contribute to a culture other than his own - Mustapha Million. Mustapha showed us all how a diverse society benefits everyone. Much kudos to the enlightened creators of this lovely strip. How could it fail to be anything but a delight when the responsibility for illustrating the positive basic premise was entrusted to the mighty Reg Parlett. I firmly believe that Reg did some of his best work on young Master Million.
 |
| Art: Ian Knox |
Ian Knox's artwork on 6 Million Dollar Gran was another highlight - his often-grotesque visuals and cleverly-rendered humorous action scenes perfectly suited the immensely-powerful-(what-seems-to-be)-little-old-lady scenario and some clever scripts keep the fun bubbling along nicely. I'm even almost willing to forgive the frequent references to Gran's 'bionic' attributes!
 |
| Art: Robert Nixon |
For me, Elephant on the Run was probably the stand-out non-Cheeky feature. I love the utter daftness of it all, and Robert Nixon's depiction of the slapstick events is superb. So what if there was no proper conclusion? Maybe it's better we never found out why our tusker pal was on the lam.
Disaster Des, Stage School, I could go on; Cheeky Weekly had more than its fair share of excellent content. But let's not get too downhearted about the demise of our favourite comic, we've still got plenty of Cheeky-and-pals fun coming up in Whoopee! and Cheeky.
| Cheeky Weekly | Cover Date: 02-Feb-1980, Issue 117 of 117 |
| Page | Details |
| 1 | Cover Feature (final appearance) 'What's Going On?' - Art Frank McDiarmid (final art on feature) |
| 2 | Sunday (final appearance) - Art Frank McDiarmid (final art on feature) |
| 3 | Why, Dad, Why? (final appearance) - Art John K. Geering (final art on feature) |
| 4 | Joke-Box Jury (final appearance)\Ad: IPC (final appearance) 'Mickey Mouse' 18 of 18 |
| 5 | Monday (final appearance) - Art Frank McDiarmid (final art on feature) |
| 6 | Disaster Des (final appearance) - Art Mike Lacey (final art on feature) |
| 7 | Disaster Des (final appearance) - Art Mike Lacey (final art on feature) |
| 8 | Stage School (final appearance) - Art Barry Glennard (final art on feature) |
| 9 | Stage School (final appearance) - Art Barry Glennard (final art on feature) |
| 10 | Tuesday (final appearance) - Art Frank McDiarmid (final art on feature) |
| 11 | Ringer Dinger (final appearance) reprint from Whizzer and Chips - Art Terry Bave (final art on feature) |
| 12 | Snail of the Century (final appearance) - Art Frank McDiarmid (final art on feature) |
| 13 | Ad: Weetabix (final appearance) 'DC Comics promotion' 2 of 2 |
| 14 | Elephant On The Run (final appearance) - Art Robert Nixon (final art on feature) |
| 15 | Wednesday (final appearance) - Art Frank McDiarmid (final art on feature) |
| 16 | Calculator Kid (final appearance) - Art Terry Bave (final art on feature) |
| 17 | Soggy the Sea Monster (final appearance) reprint from Shiver and Shake - Art Robert Nixon (final art on feature) |
| 18 | The Gang (final appearance) reprint from Whizzer and Chips - Art Robert MacGillivray (final art on feature) |
| 19 | The Gang (final appearance) reprint from Whizzer and Chips - Art Robert MacGillivray (final art on feature) |
| 20 | Thursday (final appearance) - Art Frank McDiarmid (final art on feature) |
| 21 | Tub (final appearance) - Art Nigel Edwards (final art on feature) |
| 22 | Mustapha Million (final appearance) - Art Joe McCaffrey (final art on feature) |
| 23 | Mustapha Million (final appearance) - Art Joe McCaffrey (final art on feature) |
| 24 | 6 Million Dollar Gran (final appearance) - Art Nigel Edwards (final art on feature) |
| 25 | 6 Million Dollar Gran (final appearance) - Art Nigel Edwards (final art on feature) |
| 26 | Friday (final appearance) - Art Frank McDiarmid (final art on feature) |
| 27 | Ad: IPC (final appearance) 'Tiger' 10 of 10 Ad: 'Shoot' 13 of 13 |
| 28 | Speed Squad (final appearance) - Art Jimmy Hansen (final art on feature) |
| 29 | Chit-Chat (final appearance) |
| 30 | Saturday (final appearance) - Art Frank McDiarmid (final art on feature) |
| 31 | Saturday (final appearance) - Art Frank McDiarmid (final art on feature) |
| 32 | Ad: IPC (final appearance) 'DJ Unit competition in Whoopee and Cheeky' |
